Glitch.mirror (2020) development

Working with aesthetics of excess and multiplicity presented online, Chelsea Coon and Jessica Laraine Williams conceived of digital performance glitch.mirror (2020) in attempts to grasp the separated unknowns of the moment, despite which there persists the human desire to connect and make meaning.

In alignment with care

In preparation for an upcoming group exhibition, On Kindness and Care (2020), I dipped into the practice archives for a…

Hair Actor 2020- Newsletter

Drawing made as part of a digital image composition. The finished image will be published in the July 2020 edition…

Video intro for my Critical and Theoretical Studies students, April 2020

In 2020, I wrote and delivered a specialised module on the critical posthumanities for my students at the Victorian College…

Side note- Antihotel: a folly in five tropes

After visiting a notable residence in Kandy, Sri Lanka, I’m writing a piece about its characters (and taking a closer…

Tang Xian Zu, April 3, The Ian Potter Southbank Centre

The sumptuousness of the opera performers’ paint and fanwork stuck with me, particularly the masterful gradient wash of pink around…

‘Quite Frankly’, SymbioticA Conference 17-18 October 2018

http://www.symbiotica.uwa.edu.au/activities/symposiums/quite-frankly-2018 This paper is currently being edited for journal publication, please check back for details.

Ex Machina: Postscript

Image source: https://melbourne.sciencegallery.com/sci-film-ex-machina This text was presented for Sci Gallery Melbourne, Friday 17 August 2018, as part of National Science Week.…

The Plague: Panel

Transcript of panel presentation for Melbourne Art Book Fair 2018, Art+ Australia Journal Issue Two: The Plague. “… I’m Jess. I operate…